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Family Stories
You've heard the family stories a hundred times. The ones you haven't heard are usually one better question away.
By Diana Holquist · October 2026
Every family has its greatest hits. The time Dad drove the station wagon into the lake. The night Grandmom met Grandpop at a dance and told him she'd marry him. The blizzard, the underdone turkey, the cousin who showed up a day early.
You'll probably hear a few of them again this Thanksgiving. They're good stories. They're also, by now, polished smooth from retelling, and they tend to stand in place of everything else your parents have never quite gotten around to saying.
I have spent more than twenty years interviewing people about their lives. The stories that end up mattering most in a memoir are almost never the ones the family already knows. They come out when someone finally asks a better question, and then waits.
Thanksgiving is a good time to ask. Everyone is in one place, the afternoon is long, and there is usually a lull between the dishes and the pie. Here is how to use it.
Big questions get summaries. Ask your mother about her childhood and you will likely hear about where she grew up, how many siblings she had, and that it was "a different time." All true, and almost none of it a story.
Memory doesn't live in summaries. It lives in specific rooms, objects, smells, and people. Ask about the kitchen table in the house she grew up in, or the first car she ever drove, and you are suddenly somewhere particular. One detail calls up the next, and before long she is telling you something she hasn't thought about in fifty years.
Ask small and you'll get back large.
Ask ahead. Nobody likes an ambush over the sweet potatoes. A day or two before, try something like: "I'd love to hear more about when you first moved to Philadelphia. Could we sit together for a bit after dinner?" People who are invited to tell their stories tend to arrive ready to tell them.
Keep the audience small. At a full table, people perform. That's where the greatest hits come from. One or two listeners in a quieter room gets you something closer to the truth.
Record it, with permission. The voice memo app on your phone is enough. Set the phone flat on the table, away from the game on TV (Go Birds!), and explain what you have in mind: "I want to keep this for the next generation. I may even put it together in a book." Most people are flattered. Years from now, you will be very glad to have their voice and not just your notes.
Follow the story, not your list. The questions below are a way in. Once a real story starts, the best questions are the shortest ones: And then what? Who else was there? How did that feel?
Let the silence sit. When someone pauses, resist filling it. The pause is often where they decide whether to tell you the real version.
These are the easiest questions to answer and the most reliable at opening a door.
Your parents are the last people who knew your grandparents as young adults, and sometimes your great-grandparents at all.
Every life has a handful of moments when it could have gone another way. These are where the real story usually lives.
Save these for later in the conversation, once the stories are flowing. They are the questions families most often wish they had asked.
It's the question I end almost every memoir interview with. More often than you would think, the answer is the best story of the day.
Don't let it disappear into your phone. Before the weekend is over:
That last step matters. The surprises are your map for the next conversation, at Christmas or on a Sunday phone call.
For many families, a recording and a few pages of notes are enough, and a real treasure on their own.
But sometimes one afternoon shows you how much is still there. You realize your father's life deserves more than a voice memo. Maybe you want someone with practice at this to ask the questions, someone who isn't also their child. Or maybe you'd simply like to hold the stories in your hands.
That is what a memoir is for. As I wrote in an earlier essay, the stories are the journey; the book is what comes home.
The Story Keepsake is a single recorded interview, a full transcript, and one polished chapter of your parent's story, professionally written and designed. It's the shortest distance between a conversation and a book, and the fee credits toward a full memoir if you decide to continue.
Or keep reading: the memoir as a holiday gift · what a memoir ghostwriter costs · what our authors say
Diana Holquist is the founder of Main Line Memoir, a memoir ghostwriting and private publishing house on the Philadelphia Main Line. She has spent more than twenty years helping people shape their lives into books: privately published family editions, commissioned legacy volumes, and memoirs written for publication.
Main Line Memoir works in person with families throughout the Philadelphia region and the Main Line, and remotely with authors across the United States and internationally. Contact Main Line Memoir →